Katharina Grosse’s solo institutional exhibition Black Bed will open at MUNCH, Oslo, this autumn. The exhibition title is taken from a new installation that reimagines one of Grosse’s seminal pieces, Das Bett, 2004, in which the artist spray-painted her bedroom in Düsseldorf, along with her furniture, clothes and belongings, destroying them in the process of creating the work.

Grosse describes Black Bed as connecting to the emotional and psychological themes of life and death in the work of Edvard Munch. In preparation for this exhibition, Grosse will spend time working in Munch’s studio at Ekely in Oslo, creating new works that add another dimension to the dialogue between the two artists.

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André Butzer’s painting Untitled (Paula Modersohn-Becker), 2017, is included in the exhibition Becoming Paula, at the Paula Modersohn-Becker Museum, Bremen. Marking the 150th anniversary of Paula Modersohn-Becker’s birth, the exhibition celebrates the German painter’s life, work, and enduring legacy. In addition to the famous paintings made during the last years of her life, the exhibition focuses on her reception in the 20th and 21st centuries, formally introducing this topic for the first time.

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We are delighted to announce that Grace Weaver’s large-scale work Untitled (Couple in a Trashscape), 2022, has entered the permanent collection of the prestigious Städel Museum in Frankfurt am Main, whose holdings span 700 years of art history.

We are delighted to announce that a recent reiteration of André Butzer’s iconic ‘Frauenbildnisse’, is now part of the permanent collection of the prestigious Städel Museum in Frankfurt am Main, whose holdings span 700 years of art history.

André Butzer’s latest publication, Die Jahreszeiten / The Seasons, published on 17 October 2025 during the Frankfurter Buchmesse, features 40 watercolours created by the artist in response to 47 poems by Friedrich Hölderlin on the four seasons, written between 1793 and 1843.

On the occasion of the release, a book signing took place on 1 November 2025, at the TASCHEN Store in Berlin. Actor Lars Eidinger gave a live reading of selected poems from the book. 

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Work by André Butzer will feature in the group show THE LONG NOW at Saatchi Gallery, London, which opens on 5 November 2025. Celebrating the last 40 years of contemporary art, the exhibition presents new works by artist closely associated with the Gallery’s dynamic history, alongside fresh voices from a new generation.

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Work by Katharina Grosse will be featured in the exhibition The Scharf Collection. Goya – Monet – Cézanne – Bonnard – Grosse at Alte Nationalgalerie, Berlin, from 24 October 2025. The presentation places Grosse’s work in dialogue with pieces by modernist and Impressionist masters from the Scharf Collection, including Claude Monet and Paul Cézanne.

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Work by André Butzer features in the collection presentation at Rubbell Museum, Miami. The new installation of the collection highlights, updated on 25 October 2025, features significant works spanning painting, sculpture, works on paper, and installation drawn from the Rubell Family’s expansive collection of over 7,700 works.

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A new monograph on André Butzer, See The Vision, has been recently released by M. Books, an independent London-based publisher specialising in limited-edition collector art books. The publication presents a collection of detailed images showcasing iconic figures and characters from Butzer’s oeuvre. Spanning 2000 to 2024 and bringing together 44 paintings, See The Vision is both a study of expression in contemporary art and a documentation of Butzer’s diverse vision and movement over 24 years. 

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Collages by Grace Weaver are on view in the staircase at the Arts Club, London, until 24 January 2026. Created using collected materials – from candy wrappers, book covers, and church programmes, to menus and postcards – the pieces are modest in scale yet rich in layered associations, intertwining personal narrative with broader reflections on place and time. 

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Work by André Butzer is featured in the group show ONLY HUMAN at the Kunsthalle 8000, Wädenswil, until 14 February 2026. The exhibition explores the notion of being ‘only human’ – a phrase often used to express limitation, fallibility, and vulnerability. Rather than idealizing humanity, the participating artists engage with the individual as suspended between presence and absence, reflecting on personal actions and their consequences.

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Work by Katharina Grosse is included in the group show Making Their Mark: Works from the Shah Garg Collection at Mildred Lane Kemper Art Museum, St. Louis. Presenting a wide spectrum of artworks spanning almost eight decades, the exhibition juxtaposes contemporary practices with pathbreaking historical works to illuminate transgenerational affinities, influences and methodologies among artists from the postwar era to the present.

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We congratulate Julian Schnabel on being awarded the Cartier Glory to the Filmmaker Award of the 82nd Venice International Film Festival.

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André Butzer’s sculpture, Untitled [Leben ist Tod ... und der Tod ist auch ein Leben], 2024, will be permanently installed in the Bibliothek Günther Förg, Hauptstraße 7, on view from 2 August 2025.

Shaped from heavy brass plates, the monumental ‘N’ is recognisable as a letter or an indefinable and irrational number. However, due to its height of over one metre, it exceeds all legibility. Taking up the existential mood of his N-paintings, Butzer’s work succeeds in expressing the relationship between presence and absence, death and life.

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On the occasion of his retrospective at the Museo Nacional Thyssen-Bornemisza in 2023, André Butzer created Untitled (Fränzi), 2022, an integral painting paying homage to Ernst Ludwig Kirchner’s Fränzi in front of a Carved Chair, 1910. Now, Butzer’s painting – which has been in the collection of the museum for several years – is also part of the display of the museum’s permanent collection, residing closely to its spiritual sister painting.

In the presence of the artist, the new installation was celebrated by Blanca and Borja Thyssen-Bornemisza, Museum Director Guillermo Solana, and numerous international guests and friends. Presenting Butzer’s Untitled (Fränzi) amidst the museum’s permanent collection of classical modernism is a premiere, which prominently manifests that the past is still very much alive today: ‘I see Expressionism as a machine that processes the past into the future.’ (André Butzer, 2006).

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Katharina Grosse’s monumental artwork bLINK – a pink boulder the size of a three-storey building – emerges from the railway bridge of the West Link in Gothenburg. Through bLINK, Grosse invites the viewer to imagine a giant spotlight directing a pink light beam towards the ground. All the surfaces that are hit by the fictitious cone of light are engulfed in pink: the railway bridge, trusses, pavement, footpath and cycle lane. The project was commissioned by Public Art Agency Sweden and the Swedish Transportation Administration, as part of the artistic design of the West Link.

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The Staatsgalerie Stuttgart presents a solo exhibition focusing on the three-dimensional work of Katharina Grosse. Celebrated for her unique, spatial paintings, this exhibition offers the first comprehensive overview to include her lesser known body of plastic and sculptural work, shedding light on the beginnings of the internationally renowned painter’s career – from the 1980s to the present day.

From the artist’s early works of the 1980s through to the latest canvases, sculptures and in-situ works, The Sprayed Dear showcases Grosse’s diverse oeuvre and the inexhaustible range of materials on which she has painted, allowing her to redefine the possibilities of art.

Staatsgalerie Stuttgart

SALON Magazine presents a marvellous feature, which brings to the fore André Butzer’s recent institutional exhibitions in Italy, Spain, Japan and Austria, complemented by 7 hand-drawn sketches reminiscent of the displays at the Museo Novecento, Museo Stefano Bardini, Museo Nacional Thyssen-Bornemisza, Museum of the Light and St Nikolaus.

Katharina Grosse has unveiled her first ever work in glass, Ein Glas Wasser, bitte (A Glass of Water, Please), developed especially for the Museum Reinhard Ernst in Wiesbaden. Comprising a large stained-glass wall weighing several tonnes, the work harnesses the complementary colours blue and orange to examine ‘how these colours mix, cross, repel, disturb and enrich each other in a watery state.’ As the artist states: ‘This energy has a transformational power that can inspire and excite all who are in front of or behind the glass wall. It shows that the world is in flux.’

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Published in conjunction with the artist’s first solo exhibition at Galerie Max Hetzler, Berlin: Spectrum Without Traces, 17 March – 30 April 2023.

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Grace Weaver in Morocco presents a series of 105 collages created by Grace Weaver during her travels in Morocco, alongside Eric Degenhardt’s photographs, and a conversation between Degenhardt and Weaver.

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Limited-edition illustrated tote bag designed on the occasion of Grace Weaver’s residency at Hetzler | Marfa.

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This new publication provides a compelling overview of exhibitions of André Butzer at Galerie Max Hetzler since his first with the gallery in 2003, charting his 17 solo and 10 group exhibitions in Berlin, Paris and London. Installation views and large-format illustrations of all exhibited works are accompanied by contemporary texts including reviews and catalogue essays.​ The book is now available for purchase on the Galerie Max Hetzler publications website. 

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Published on the occasion of the exhibition Grace Weaver TRASH-SCAPES at Galerie Max Hetzler London, November 2022 – January 2023. The publication, featuring an in-depth conversation with the artist is now available for purchase on the Galerie Max Hetzler publications website.

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Made in close collaboration with the artist, this unprecedented huge-format survey presents the future and origins of his painting according to André Butzer. From his early works of ‘Science Fiction Expressionism’ that centered around a cast of figures at home both in space and in culturally occupied Europe, to his exploration of abstraction’s far limits in the seemingly black N-Paintings, Butzer emerges as an ever-inventive colorist who finds a new beginning in each work.

This is the first book first to span the full range of André Butzer’s oeuvre from 1999 to 2021, the works’ progression gaining an almost musical drive of development, return, and new beginnings. The plates are interspersed with contemporary quotes from the artist that illuminate his idiosyncratic stance as a background to the work, as well as photos from his archives. The introductory essay, written by Hans Werner Holzwarth, investigates the different work phases, and places the artist’s ideas in a wider discourse of abstraction and figuration after the end of either genre. And, most importantly, the book’s pristine, huge-format illustrations fully evidence the finesse as a colorist that place this artist among the internationally most recognized painters of his generation.

‘Expressionism was about going back to nature and nakedness, about inner more than outer space. Now we can give this field a new task – to be informed by seriality, post-industrialism, and modern mankind’s artificiality. So I include organic and non-organic parts, fake nature and fake human. Titian said painting is about flesh and water, and I say it is about flesh and lemonade.’

— André Butzer

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All good things come in threes and so do André Butzer’s collected writings. The third volume is elegantly sharp and poignant. Editor Alexander Linn continues to explore the unique fictitious universe, Butzer calls »NASAHEIM«. Boldly touching on the latter’s own work and biography, art history as well as music in numerous letters, in-depth conversations and poems. Guided by the simple question: What is real?, Butzer searches for »the actual location of painting, the space in-between. It’s a very esoteric but easy to understand conception of truth.«

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Edition Linn

The Collector's Edition of Julian Schnabel's monograph by Taschen is now available. Made in close collaboration with the artist, this oversized limited-edition book is the first to feature his work across all media. Each copy is numbered and signed by the artist.

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Taschen